I am not a photographer!
My recent pursuit and attempt to enter the world of professional photography has come to an end. This does not mean that I will put down the camera. It only means that I refuse to continue to endeavor to find a niche in an industry that is over saturated and far too competitive. But even further, I do not have much respect for the medium as an art form. I’ve always thought that photography is for those that can’t draw or don’t want to spend the time to learn.
The only kind of photography that I truly believe is great is journalistic photography. This is because the one thing that photographs do best is capture a moment of a real time and event. The photographers that I’ve had the greatest respect for are the war photographers. And of the war photographers, my favorite is Larry Burrows. When Larry took a picture in the middle of a firefight, he did it with a fully manual, manual focus, range finder Leica.
These days taking a good picture is at it’s easiest. This maybe why there are about 60,000 professional photographers in NYC. My attempt to make it a profession is derivative in my endeavor to become a director. I’ve tried many different things in this pursuit and you can see the results in the galleries of studioDK.org. However, I have never been offered the opportunity. But, many photographers have.
From what I’ve been told, is that I’m a good editor, I’m a good motion graphics artist, I’m a good storyboard artist and even shooter, but no one wants to make the jump and suggest that I’d be a good director. I’ve also been told that I’m a good photographer. The funny thing is, is that with my photography, the fashion people say my reportage is good and the journalists say my fashion is good. This is very frustrating cause, I seem to get all this positive feedback which I believe is genuine, However, no one ever wants to fully acknowledge my skills. It is out of my control.
With all my skills, I have to focus on what is in my control. And because of this I’ve decided that I’ve achieved creating a portfolio of photography that shows that not only do I have an eye for the highest caliber of aesthetic, but also I can carry a story. However, for me to continue to shoot a commercial style of work, I feel I need some financial maneuverability that the industry does not want to give me. And I just don’t have the energy to pursue it, by trying to convince someone who is blind to see all the skills I bring to the table. Given the opportunity I could easily work at the level of todays top photographers. Given the opportunity I’m sure others could as well.
Working as a photographer has more to do with politics than skill. In fact I believe it now takes no skill to shoot a nice picture. Just an aesthetic for it. Point, shoot, look at the screen and if it’s not right, adjust and push the button again.
I am much greater than a photographer….