Archive for the 'Artist's Buisness' Category

The Equation for the Law of the Craftsman

Here is a little equation that I learned from a fellow artist for hire. It’s an equation that I may express to a clients and even prospective clients if I feel they begin to express unrealistic expectations. Although it can be applied to any profession in the service industry, I call it “The Equation for the Law of the Craftsman” because I feel that it particularly pertains to professions of unique and particular skills in that one is given an idea and is hired to render the idea into a real or material object.

As with many equations this one is based on three variables. These variables are Quality, Time, and Cost. And as with most clients, they will desire the best of all three. Good, Fast and Cheap! However, although they may perceive to think they can find a better craftsman that will be able to perform for them at the highest level in all three variables, they will soon find that they will run right smack into “The Equation for the Law of the Craftsman” and this “Law of the Craftsman” only allows them to have have the best in two of these three variables. And so it goes like this:

“The Equation for the Law of the Craftsman”:

You can have “good” and “fast.” But it will not be “cheap!”

You can have “fast” and “cheap.” But it will not be “good!”

You can have “cheap” and “good.” But it will not be “fast!”

I am not a photographer!

I am not a photographer!

My recent pursuit and attempt to enter the world of professional photography has come to an end. This does not mean that I will put down the camera. It only means that I refuse to continue to endeavor to find a niche in an industry that is over saturated and far too competitive. But even further, I do not have much respect for the medium as an art form. I’ve always thought that photography is for those that can’t draw or don’t want to spend the time to learn.

The only kind of photography that I truly believe is great is journalistic photography. This is because the one thing that photographs do best is capture a moment of a real time and event. The photographers that I’ve had the greatest respect for are the war photographers. And of the war photographers, my favorite is Larry Burrows. When Larry took a picture in the middle of a firefight, he did it with a fully manual, manual focus, range finder Leica.

These days taking a good picture is at it’s easiest. This maybe why there are about 60,000 professional photographers in NYC. My attempt to make it a profession is derivative in my endeavor to become a director. I’ve tried many different things in this pursuit and you can see the results in the galleries of studioDK.org. However, I have never been offered the opportunity. But, many photographers have.

From what I’ve been told, is that I’m a good editor, I’m a good motion graphics artist, I’m a good storyboard artist and even shooter, but no one wants to make the jump and suggest that I’d be a good director. I’ve also been told that I’m a good photographer. The funny thing is, is that with my photography, the fashion people say my reportage is good and the journalists say my fashion is good. This is very frustrating cause, I seem to get all this positive feedback which I believe is genuine, However, no one ever wants to fully acknowledge my skills. It is out of my control.

With all my skills, I have to focus on what is in my control. And because of this I’ve decided that I’ve achieved creating a portfolio of photography that shows that not only do I have an eye for the highest caliber of aesthetic, but also I can carry a story. However, for me to continue to shoot a commercial style of work, I feel I need some financial maneuverability that the industry does not want to give me. And I just don’t have the energy to pursue it, by trying to convince someone who is blind to see all the skills I bring to the table. Given the opportunity I could easily work at the level of todays top photographers. Given the opportunity I’m sure others could as well.

Working as a photographer has more to do with politics than skill. In fact I believe it now takes no skill to shoot a nice picture. Just an aesthetic for it. Point, shoot, look at the screen and if it’s not right, adjust and push the button again.

I am much greater than a photographer….

Dream or nightmare?

Woke up this morning from a bad dream. The dream had to do with my self doubt, brought on by the event of absurd decisions made by other people. Their decisions were out of my control and their reasonings suggest that I’m not only to blame but that there is some thing fundamentally wrong with me. What makes this dream particularly bad is that it was nothing more than dream created in my own mind. It was delusional and self inflicted and obviously not by conscious intension. However, the lasting emotional effect incurred by this dream did not recede upon my awakening once I became cognizant that it was only a dream. These are the dreams (better to use the word nightmares) that can have devastating effect on my self morale and have a eroding effect on my awaking life. However, now that I’m awake I have to reconcile with feelings about myself and the truth beyond the dream.

Feelings brought on by a dream are real even though the dream is not.

My dream took place in a barn. After having drawn up storyboards for a director I was informed by the producer that I had been fired from the job. When I asked why, the producer told me it was because I didn’t draw chickens in the storyboard that was about a barn. When I suggested that I could easily revise them. The producer told me that the director didn’t want to work with me because he can’t work with anyone that would conceive of drawing a barn without chickens. In the dream, the barn I was in, there where no chickens.

Now isn’t this silly?

The 400 Blows

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Click to enlarge

This is my midyear report card of my sophomore year in high school. I cherish this relic of my past.

When recently asked why I would want to keep it? My answer was,” I’d like to show it to my kid when he is having trouble with school in his adolescents. I want to show him the proof and know that his father had trouble with school. I want him to know that his report card and experience in high school does not determine the worth of his identity and cap the value of what he will achieve in his lifetime.”

This report card for me is proof of a miracle. If you look closely at it, you will see that the common reason given for my failure is excessive absence. And this was true. I didn’t show up for school most of that whole quarter. But I didn’t fail every class. I passed one. And as the others I did not show and should of failed. Although science can rationalize it as a simple coincidence, I see it as a personal message to me by God or what ever you want to call that thing that is responsible for the cosmic order. Of all the report cards that I’ve had in my education, this one was the truest representation of me, my hope and the faith in my life, at a time when if asked, I would of denied and replied, ” If I had a button that could destroy the world, I would press it!”

On the report card the class is abriviated.

Tattoo Gun Rumba

Tattoo Gun Rumba screenshot

Last Sunday my latest tattoo was finished. Bee of Tattoo Edge, a friend of mine since I was 3, has been tattooing in NYC long before it was leagalized. It was a 3 stage process. So on the last session I deceided that I would film it and make a little movie. Yes, it’s me holding the camera. I also decided that I would compose a soundtrack to cut it to. Taking a base loop from the late great Tito Puente, I added a little guitar riff to compliment it and recorded a bongo solo over it. Bee provided the buzzing sound of the tattoo gun. And also was an influence in my education of latin music when I learned to play the bongos.

Click Below for movie:
Tattoo Gun Rumba

Durration: 00:01:50